fix: MP3 recordings carried a hiss the WAV of the same audio did not
The operator split it in one test: WAV is fine, MP3 is not. The MP3 path is the only one that resamples — 16 kHz up to 32 kHz, because the encoder emits broken frames at MPEG-2 rates — and it did so by averaging neighbouring samples. That is an upsampler in name only. Every component at f is mirrored to 16 kHz − f, and the test measures the mirror just 7 dB below the wanted signal: a second copy of the whole spectrum. On speech it adds brightness; on receiver noise, which is broadband, it lays a second noise floor over the top of the band. Hence "a hiss that is not the QRM, louder than the voice" — and hence its absence from the WAV, which resamples nothing. Zero-stuffing plus a 63-tap windowed sinc at the old Nyquist puts the image 56.8 dB down instead of 7, at a cost measured in microseconds against the MP3 encode that follows. Two tests pin it: the image suppression, and that the level is unchanged — a fix that quietly halved every recording would be a second surprise on top of the one being repaired.
This commit is contained in:
+2
-2
@@ -10,7 +10,7 @@
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"The \"From radio\" and mic levels take effect as you drag the slider, and the RX level now applies to what you HEAR through OpsLog, not only to recordings.",
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"The padlocks on frequency, band, mode and times no longer flicker under the pointer and refuse the click.",
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"The callsign field is wider, taking the room from the RST pair.",
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"QSO recordings are no longer swamped by hiss: the audio was resampled with the cheap converter, folding everything above 8 kHz back onto the voice."
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"MP3 recordings no longer carry a hiss of their own: the 16→32 kHz conversion mirrored the whole spectrum only 7 dB down. It is now 57 dB down."
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],
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"fr": [
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"Les filtres du cluster gagnent NEW POTA et NEW COUNTY, à côté des pastilles de statut existantes.",
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@@ -20,7 +20,7 @@
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"Les niveaux « From radio » et micro agissent pendant que vous déplacez le curseur, et le niveau RX s'applique désormais à ce que vous ENTENDEZ dans OpsLog, pas seulement aux enregistrements.",
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"Les cadenas de fréquence, bande, mode et heures ne scintillent plus sous le curseur et acceptent le clic.",
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"Le champ indicatif est plus large, la place venant de la paire RST.",
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"Les enregistrements de QSO ne sont plus noyés par le souffle : l'audio était rééchantillonné avec le convertisseur économique, qui repliait tout ce qui dépasse 8 kHz sur la voix."
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"Les enregistrements MP3 ne portent plus un souffle qui leur est propre : la conversion 16→32 kHz recopiait tout le spectre à seulement 7 dB en dessous. Il est désormais à 57 dB."
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]
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},
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{
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+70
-7
@@ -3,6 +3,7 @@
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package audio
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import (
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"math"
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"os"
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"github.com/braheezy/shine-mp3/pkg/mp3"
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@@ -50,19 +51,81 @@ func writeMP3(path string, pcm []byte) error {
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return enc.Write(f, stereo)
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}
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// upsample2 doubles the sample rate with linear interpolation (16 kHz → 32 kHz).
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// upsample2 doubles the sample rate, 16 kHz → 32 kHz, WITH the interpolation
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// filter that makes the operation legitimate.
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//
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// It used to interpolate linearly — each new sample the average of its
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// neighbours. That is an upsampler in name only: every component at f is
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// mirrored to 16 kHz − f, measured just 7 dB down (see the test). On speech it
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// adds brightness; on receiver noise, which is broadband, it lays a second
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// noise floor across the top of the band. Operators heard it as a hiss louder
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// than the voice, present in the MP3 and absent from the WAV of the very same
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// audio.
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//
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// Zero-stuffing followed by a windowed-sinc low-pass at the old Nyquist is the
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// textbook answer, and it puts the image below 40 dB. 63 taps is a few hundred
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// microseconds of work on an eight-second recording — nothing, next to the MP3
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// encode that follows.
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func upsample2(in []int16) []int16 {
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if len(in) == 0 {
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return in
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}
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out := make([]int16, len(in)*2)
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for i := range in {
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out[2*i] = in[i]
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if i+1 < len(in) {
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out[2*i+1] = int16((int32(in[i]) + int32(in[i+1])) / 2)
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} else {
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out[2*i+1] = in[i]
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half := len(upsampleFIR) / 2
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for i := range out {
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var acc float64
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// The zero-stuffed signal is non-zero only at even indices, so only
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// every other tap contributes — the loop skips the zeros rather than
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// multiplying by them.
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start := (i - half + 1) &^ 1 // first even index in the window
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for j := start; j <= i+half; j += 2 {
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k := i - j + half
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if k < 0 || k >= len(upsampleFIR) {
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continue
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}
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src := j / 2
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if src < 0 || src >= len(in) {
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continue
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}
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acc += float64(in[src]) * upsampleFIR[k]
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}
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// ×2 for the energy lost to zero-stuffing, then clamp.
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v := acc * 2
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if v > 32767 {
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v = 32767
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} else if v < -32768 {
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v = -32768
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}
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out[i] = int16(v)
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}
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return out
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}
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// upsampleFIR is a 63-tap Hamming-windowed sinc, cut off at a quarter of the
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// NEW rate (8 kHz at 32 kHz) — exactly the old Nyquist, which is where the
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// images begin.
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var upsampleFIR = func() []float64 {
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const n = 63
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const fc = 0.25 // cycles/sample at the new rate
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h := make([]float64, n)
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mid := (n - 1) / 2
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var sum float64
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for i := 0; i < n; i++ {
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m := float64(i - mid)
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var v float64
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if m == 0 {
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v = 2 * fc
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} else {
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v = math.Sin(2*math.Pi*fc*m) / (math.Pi * m)
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}
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// Hamming window: a rectangular one would ring and put the stopband
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// only ~21 dB down, which is not enough to be worth the filter.
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v *= 0.54 - 0.46*math.Cos(2*math.Pi*float64(i)/float64(n-1))
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h[i] = v
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sum += v
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}
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for i := range h {
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h[i] /= sum // unity gain at DC
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}
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return h
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}()
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@@ -0,0 +1,79 @@
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package audio
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import (
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"math"
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"testing"
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)
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// goertzel returns the magnitude of one frequency bin, so a test can ask "how
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// much energy is at 10 kHz" without pulling in an FFT.
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func goertzel(x []int16, fs, freq float64) float64 {
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w := 2 * math.Pi * freq / fs
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c := 2 * math.Cos(w)
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var s1, s2 float64
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for _, v := range x {
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s := float64(v) + c*s1 - s2
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s2, s1 = s1, s
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}
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return math.Hypot(s1-s2*math.Cos(w), s2*math.Sin(w))
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}
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// Upsampling 16 kHz → 32 kHz must not create an audible mirror image.
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//
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// MP3 recordings came back with a hiss that is not on the air and is not in the
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// WAV of the same audio — "louder than the voice", from a station that hears the
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// voice well clear of the noise. The MP3 path is the only one that resamples,
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// and it did so by linear interpolation: every component at f is mirrored to
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// 16 kHz − f, which for broadband receiver noise means a second noise floor
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// spread across the top of the band.
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func TestUpsampleSuppressesTheImage(t *testing.T) {
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const fs = 16000.0
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const tone = 6000.0 // its image lands at 16000 − 6000 = 10 kHz
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in := make([]int16, 4096)
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for i := range in {
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in[i] = int16(12000 * math.Sin(2*math.Pi*tone*float64(i)/fs))
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}
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out := upsample2(in)
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if len(out) != 2*len(in) {
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t.Fatalf("upsample2 returned %d samples for %d", len(out), len(in))
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}
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wanted := goertzel(out, 2*fs, tone)
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image := goertzel(out, 2*fs, 2*fs-tone-16000) // = 10 kHz
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if wanted == 0 {
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t.Fatal("the tone itself did not survive upsampling")
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}
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db := 20 * math.Log10(image/wanted)
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t.Logf("image at 10 kHz is %.1f dB below the 6 kHz tone", db)
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if db > -35 {
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t.Errorf("image only %.1f dB down — it is audible as added hiss; want at least 35 dB", db)
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}
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}
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// The filter must not change the level, or every existing recording would come
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// back quieter (or clipped) after the fix — a second surprise on top of the one
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// being repaired.
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func TestUpsampleKeepsTheLevel(t *testing.T) {
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const fs = 16000.0
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in := make([]int16, 4096)
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for i := range in {
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in[i] = int16(10000 * math.Sin(2*math.Pi*1000*float64(i)/fs))
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}
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rms := func(x []int16) float64 {
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var acc float64
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for _, v := range x {
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acc += float64(v) * float64(v)
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}
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return math.Sqrt(acc / float64(len(x)))
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}
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// Skip the filter's warm-up and tail, where the window is only partly fed.
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out := upsample2(in)
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got, want := rms(out[200:len(out)-200]), rms(in[100:len(in)-100])
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ratio := got / want
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t.Logf("level after upsampling: ×%.3f", ratio)
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if ratio < 0.9 || ratio > 1.1 {
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t.Errorf("level changed by ×%.3f — want within 10%%", ratio)
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}
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}
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